Showing posts with label daria. Show all posts
Showing posts with label daria. Show all posts

Thursday, February 7, 2013

Animation Appreciation: Daria



It's cliche for a geek girl to say she's a fan of Daria, but the show also has an appeal that transcends age and time in life. I was in high school at about the same time Daria was, but the series is a great character study, and also a mockery of evergreen human faults. Both of these things ensure that it remains forever fresh to me.

Daria was originally a character on Beavis and Butt-head, a fact I didn't find out until years later because Daria began her series by moving to a different town, and the tone and art style of both shows were very different. Daria herself is smart and sardonic, but also apathetic, poking fun at the human foibles around her, in the name of nothing more than doing it—but at times, a sincerity of belief does appear. Her best friend is artist Jane Lane, and Daria is similarly not "popular".

Telling stories from the point of view of the outcast is a well-worn trope, as it allows for characters to comment on the faults of society in ways more frank than the upper echelons could. But outcast characters in this role have so rarely been young girls.

Daria serves the standard dramatic purpose of the outcast, but by being a girl, and being a main character, she gives something to the female audience that we rarely get: assurance that sometimes it's okay to say when the emperor has no clothes.

At the same time, Daria is not a perfect character, and her foils are not strawmen. In fact, Daria is a great character exactly because she does have flaws, she makes mistakes. If she were merely wish-fulfillment, she wouldn't be as engaging.

There are plenty of episodes like "The Misery Chick" and "Through a Lens Darkly" that have Daria experiencing a crisis, or try to take an analytical look at her worldview. Her crush on Trent Lane, despite his many faults, also serves to make Daria more complex.

Furthermore, the people in Daria's life aren't that simple. Her mother understands her better than Daria thinks she does, and characters like Kevin, Brittany, and Mr. O'Neil are dumb but well-meaning and usually nice. Mac and Jodie are also respectable characters, and it's not tokenism that makes them that way.

Of course, you'll always find spoilsports who claim that Daria is being unnecessarily rude, the series itself is too harsh on anything it makes fun of, or the series is all about an overblown teenage persecution complex. Nope: assholes and crazies are everywhere in life, and sometimes they're right, but not always. Taking in the world compliantly is no way to deal with it, and comedy is often useful for providing this sort of challenge.

Furthermore, much comedy involves the lower groups mocking the higher groups, and that is the position that Daria herself comes from in the high school hierarchy.

Unlike, say, Lisa Simpson (who nonetheless once was a great character), Daria is mostly apathetic and apolitical, and has a few bad habits, like junk food and trashy TV. As such, we know she's not meant to be a perfect role model, but just a character like any other. It makes her annoyances feel more real to us. We can believe that when something bothers her, it bothers her, not the writers.

Our culture hasn't gotten worse, but many things about it have not changed. Yes, some parts of Daria are dated (including anything to do with computers, especially the episode "Cafe Disaffecto"), but others...yeah. We still have to deal with many of the things discussed in the series.

And by "we", I mean female viewers. I'm not saying that men can't understand this, but Daria deals with issues of body image and pressures on women that resonated with a lot of female viewers, including myself. Being nasty towards these things is not rude, but adding a needed honesty, an alternate voice to the world.

And besides that, Daria is very, very funny. Again, some things are dated, but not enough that the show can't get laughs. It's more soft chuckles than belly laughs, but these are still worthwhile.

How do I feel about Tom Sloane coming in? Parts work, and parts don't. I can see Daria and Jane going for the same type of guy, and Daria being weird around the idea of her friend having a boyfriend, and then about having a boyfriend herself, no matter how she got said boyfriend. I'm also glad the "Tom Thing" wasn't resolved speedily, and also that the series was honest about why Trent wasn't a good match for Daria.

On the other hand, Tom is such a bland character. His personality is a good match for Daria, but he's almost always right, and has none of the flaws to balance the expose of Daria's flaws that happen in the last two seasons. Their relationship feels lopsided, like Tom is only a vehicle for Daria to have new experiences and not a full character in his own right.

And sometimes the last two seasons seem written to address non-existent flaws in the earlier stories, as they press hard to suggest that Daria's attitude is not just "who she is", but the result of assorted social problems and the building of a wall around herself.

Some of these episodes are effective, but they leave a sour taste because they feel like they're trying to correct what was never a problem—Daria was never an invincible character. She was never always right. And sometimes, you just naturally grow into someone different from the norm. I like these episodes, but I prefer the immortal Daria line, "But I'm not miserable. I'm just not like them".

So, Daria has stood my personal test of time. I'm long out of high school, but I'm always going to appreciate what the show has to offer. It's about more than being a teen, more than what goes on inside that little American microcosm. It's a story about a well-developed and funny character, who gives a lot of us someone to empathize with.

Saturday, February 12, 2011

The Peculiar Olympians: Daria Morgendorffer







“The Peculiar Olympians” is a series of blog posts about my most favourite fictional characters. They are each here for some combination of sympathy, empathy, inspiration, humour, quality, staying power, and/or significance to my relationship with fandom. These are not all the characters that I like, but they are the ones that have stood out to me the most. The list is also alphabetical and nothing more.

Putting Daria on this list is a total cliché. Yes, I’m a brainy female social outcast who wears glasses, says sarcastic things, and is often frustrated with mainstream culture, there you go. Daria is still a combination of the person I was in high school, and the person I wish I was in high school. And long past that period, when America’s obsession with high school remains baffling, Daria is still an icon of mine.

 It’s not entirely accurate to call her a source of inspiration, since she has a lot of flaws. Yet that is part of Daria’s charm; viewing the series as a grown woman introduces that new layer of appeal, namely that she is and has always been a well-crafted character that any kind of writer can appreciate.

Daria lives in the America you know, only dumber. Originally a foil to Beavis and Butt-head (made to provide an intelligent and poised female student in contrast to the two male dumbasses), her family moved to Lawndale, as she moved into her own spinoff.

In between dealing with the stupidity of life, Daria enjoys books, the perpetually-airing TV show Sick Sad World, and the company of her best friend Jane Lane, who had similar sensibilities but is the artistic instead of literary type.

As college grows nearer, Daria finds her preconceptions and habits challenged through the introduction of Jane's boyfriend Tom Sloane, who would also become Daria's boyfriend after a mess. Tom led Daria to challenge her attitudes and explore the negative aspects of them, but she mostly remained the same character.

The series finally saw a DVD re-release in 2010, due to years of licensing hell over the many pop songs used as incidental music. In the end, this music was almost entirely removed. Like most, I would rather it kept the original music, but the series was so important to me that I was not going to resort to bootlegs for the rest of my life.

During the intial wave of reviews following the DVD release, there were a few people coming out of the woodwork to indulge in trite moralizing against Daria-the-character. They seemed to miss the point, however: Daria was never an invincible character or mere wish fulfillment for those who hated the mainstream culture of the 1990s. Instead, she was a multi-faceted, multi-layered character who could be wrong, or could be hurtful, but also not to the extent of condemning female nonconformity and independence. This is true of the early seasons, and in fact I think the later seasons sometimes try too hard to put Daria in the wrong.

No matter what else, there is still a value, a rightness to Daria. Characters should not be vehicles to teach lessons, of course, but it’s still wonderful to see a smart female character as a lead, especially when she isn’t put on a pedestal. In a culture where women are encouraged to downplay their brains and avoid speaking their minds, it’s nice to have an alternative.